{"id":2125,"date":"2024-12-10T14:14:32","date_gmt":"2024-12-10T14:14:32","guid":{"rendered":"https:\/\/cimbalinofilmes.pt\/en\/a-ultima-peca\/"},"modified":"2025-01-09T11:53:52","modified_gmt":"2025-01-09T11:53:52","slug":"a-ultima-peca","status":"publish","type":"post","link":"https:\/\/cimbalinofilmes.pt\/en\/a-ultima-peca\/","title":{"rendered":"A \u00daltima Pe\u00e7a"},"content":{"rendered":"\n
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\n FICTION SERIES\t
\nCASSANDRA
\nFULL HD\t
\n21′ <\/p> \n <\/div>\n

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\n by Nuno Carinhas\t
\nTake It Easy
\nCimbalino Filmes
\nRTP <\/p> \n <\/div>\n <\/div>\n<\/div>\n\n\n\n

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Fourth episode of the fictional series Cassandra.
\nIn retaliation, a student worker is placed at an empty desk facing a wall. On that wall there is a stain that serves as a focus. In this stain she reconfigures, visualizes, a play she had recently seen. It recreates the scenes between a couple who are living their last minutes in an apartment (a stage), which they will leave.
\nThe student worker writes her reality in a letter, which intersects with theatrical fiction, and addresses it to the playwright-director, author of the show she witnessed. The author receives the letter and compares it with a newspaper article about the workplace harassment of a student worker.
\nAn actress and an actor are the protagonists who unfold into six characters, in a narrative constructed in a mise-en-ab\u00eeme of spaces, times and characters, which balances between theater and reality.<\/p> \n <\/div>\n <\/div>\n <\/div>\n\n